Pooh’s Friends Forever tour utilised a collection of 96 CHAUVET Professional Color STRIKE M motorised strobe-blinders, which were imported by Zalight with service by Agoro.
Campana arranged 66 of these fixtures in a matrix of 11 structures positioned behind the LED wall. The remaining units were hung on overhead and side truss structures.
Running the lights was Francesco De Cave, who worked with the band on their 2016 Reunion Tour. “I had already collaborated with Pooh,” said De Cave. “When I started interacting with them, they immediately appreciated my way of working, and an excellent relationship was immediately created. They were truly the precursors of show business in Italy. At that time, there was no one like them and, together, they took care of all the management of the group, including, as I said, the show,” he continued. “The general mood of this show was the ‘Pooh street,’ which means colours and, harmonies,” said De Cave. “However, we also followed a ‘hard’ approach where it was needed; so, at times it could be strong and impactful. I followed the inspiration that their music gives; it’s the music that advises you what to do.”
A fundamental part of the lighting project were the 90 Color STRIKE M units. “These fixtures really have a lot of parameters, and to make the most of them I used them in 97 channel mode,” said De Cave. “I mapped them — and by doing a lot of group work, I created a series of very satisfying effects. The brightness of the Color STRIKE M is impressive , and the machine’s response speed to commands is also crazy. The colours are really beautiful, and – very importantly – they remain constant even at low dimming; I have to say that I was very satisfied.”
De Cave used the Color STRIKE M fixtures to direct beams of light through the large central stage blow-through video wall. This added a captivating depth to the stage: “That was exactly the feeling I wanted to give,” he explained. “Sometimes I projected the same colours with the Color STRKE Ms as the images, to enrich and emphasise them. At other times instead contrasting them with great brightness and very different colours, I created a range of extremely dynamic or deeply suggestive effects.”
