What was your role at Glastonbury Festival 2024?
“I had the opportunity to undertake two distinct roles at Glastonbury Festival, in my first role, collaborating with the dressing room crew to ensure artists had the best possible experience during their stay as well as a work experience position in the FOH area of the festival. It allowed me to gain valuable knowledge about the operational aspects of managing large-scale events.”
How did it feel to be involved in one of the biggest festivals in the world?
”Working at Glastonbury was an incredible experience. I woke up each morning with a renewed sense of passion and readiness to work. It was remarkable to feel so mentally invigorated even when my body was fatigued. This opportunity provided me with invaluable insights into working in a highly dynamic environment, and I am grateful for the chance to experience such a significant event firsthand. I believe my career has greatly benefited from this experience. It enhanced my ability to maintain professionalism in high-pressure situations, improved my coordination and teamwork skills, and deepened my understanding of the logistical and technical aspects of large-scale event management.”
What inspired you to pursue a career in the live entertainment sector?
“I’ve always been drawn to music. In my early years, I enjoyed my music lessons and distinctly remember playing the African drums in Year 3 and participating in the choirs for school plays. I chose to pursue a GCSE in Music, a decision influenced by my mother and by college, I was studying for a Level 3 Diploma in Music Production. It was during this period that I began to seriously consider my career options, particularly in sound engineering.”
Have you faced any additional barriers breaking into the sector?
“The main barrier I faced was overcoming my introversion and engaging with people. However, I quickly adapted and began interacting with others to build my network.”
What’s next for you?
“After completing my studies, I will pursue job opportunities in sectors such as sound design, studio sound engineering, live sound engineering, or any other area that aligns with my interests and expertise. In the short term, I aim to seize more opportunities like this one to deepen my understanding of the industry and determine how I can contribute effectively.”
Words and photos: Alicia Pollitt
