Early in his career, Zach Scott used to supply small-scale audio and lighting packages to a local video gaming venue in Chicago under the Manager Brad Weir. After Weir branched out to organise gaming tournaments across the Midwest, he reached out to Scott and his design firm, Illuminate Collective to work at the Hi-Rez Expo at the Atlanta DreamHack- part of the largest LSN Party and computer festival in the world.
Accepting the offer, Scott went on to create sleek, camera-friendly stage designs for Hi-Rez Studios’ SMITE stage. A friend of his, fellow Designer Dustin Derry of Stonewolf Studios, crafted the look of the PALADINS. Helping them both in this endeavour were two ChamSys MagicQ MQ500 Stadium consoles.
“I was brought in to provide design, programming and operation for two identical stages at the Hi-Rez Expo,” said Scott. “With two stages being completely separate, I wanted help from someone who would match my passion for this project, so I called Dustin. We took on both stages from start to finish, as designers, programmers and directors, both of us relying on our ChamSys consoles to achieve looks that matched the intensity of the event and competition.”
Both stages had eight universe shows with 79 controlled fixtures and 12 truss warmers that were set to the game’s branding colours. With the competition broadcast on Hi-Rez TV, the two designers gave prime consideration to creating looks that would translate well on camera, while still creating a friendly environment for the players and the live audience.
“After our initial creative meetings, the main focus was on properly lighting the players and broadcasters for the cameras, but also staying dim enough so people weren’t blinded during gameplay,” said Scott. “Our vendor, Atlanta Sound & Light, played a massive roll in the overall design of the rig. For the aerial effects and big looks, I used the broadcast program monitor as a reference for what viewers online were seeing, and I tailored my programming on the MQ500 to have the biggest impact for the cameras.”
Scott and Derry also had to pay careful attention to ensure that the effects and colours on their two stages matched the plethora of looks from the video content. “The show directors would give us cues, sometimes with advance notice and sometimes with a few seconds to spare,” said Scott. “This is a perfect example of why the MQ500 custom Execute Pages with regions were a crucial part of our console layouts.”
In addition to the Execute Pages, Scott found the ChamSys MagicQ MQ500’s two large screens and the additional banks of playback buttons to be invaluable features in this project. “The extra bank of playback buttons on the top left of the 500 was used for effects that had to be triggered, but would then release automatically,” he said. “Dustin had a great idea to use the extra playback section located in the middle of the desk for quick fixture selection. This allowed us to call up any fixture group at the touch of a button.”
Throughout the competition, Scott and Derry had mobile pre-vis rigs set up in their hotel rooms near the Georgia World Congress Centre where the event took place. Scott had a ChamSys Maxi Wing in his room and Derry a PC Wing in his. “We did offsite programming and tweaks throughout the week, so everything always looked right for the competition,” said Scott. Based on the feedback the two designers received about their design, they certainly succeeded in doing that.