Stylus Sound Productions recently provided Martin Audio’s MLA loudspeaker array as the preferred sound reinforcement for American rock-band Good Charlotte on their UK tour.
The service company already owned the control/stage packages for the band, so for the PA they turned to Martin Audio partners, RG Jones Sound Engineering and Capital Sound, and worked closely with Simon Honywill in system development and optimisation. They also supplied infrastructure and production management service for the tour.
The Martin Audio MLA rigs featured at Glasgow Barrowlands, Southampton Guildhall and Brixton Academy, and the PA appeared in various configurations, and with different optimisations to suit the venue, but included Martin Audio MLA/MLX plus MLA Compact and MLA Minis with DD12s for fills. Stylus Sound Productions Managing Director, Sam Thomas, confirmed that the decision to spec MLA had not been a difficult one to make. “We were already huge fans of the system, having toured extensively with MLA Compact in identical venues, so were itching to see what we could achieve with the larger format boxes,” he said. “Some of these venues pose significant acoustic challenges and MLA is the best solution for controlling vertical dispersion in difficult spaces and preserving clarity.”
Each of those venues had their own idiosyncrasies to contend with. “We have to give much of the credit to System Tech, Simon Honywill, for his outstanding work optimising and propagating the system for these spaces,” praised Thomas. “Brixton was a particular breakthrough, and many trusted sources commented on the quality of the sound.”
Here they rigged 11 Martin Audio MLA and an Martin Audio MLD Downfill per side, with 4 MLX per side, in left/right stacks, with 4 MLA Compact as front fill and various MLA Mini, DD12 and DD6 in support. “Brixton can sound cavernous and unfocused sometimes but this was upfront and powerful. The result was a combination of a great musical performance, the sound mix, the PA system, and Simon’s optimisation. As for the subs, we had way more headroom than required.”
Reflecting on the 3 main attributes of Martin Audio MLA, Stylus Sound Productions Technical Director, Oliver Weeks commented: “The headroom is astonishing and being able to ‘hard avoid’ problem surfaces is invaluable. The ability to control room reflections from the box and generate consistent coverage up to a boundary are unique hallmarks of MLA. However for those projects with considerable acoustical or noise boundary concerns, it remains the only choice.”
The band’s FOH engineer Jim Carmichael, who has worked with Stylus Sound Productions in the past, was in full agreement. He concluded: “Having used MLA in Brixton Academy before I was keen to try it with a full-on rock show for Good Charlotte — and it certainly didn’t disappoint. I don’t usually need raw power but strive for punch and clarity, so the very clean HF of MLA worked really well and everything felt very controlled right down to the very low end.”
